Chris Hemsworth’s ‘Crime 101’: A Heist That Doesn’t Quite Stick the Landing

Bart Layton’s “Crime 101” attempts a modern take on the classic heist genre, drawing clear inspiration from Michael Mann’s “Heat.” While the film boasts a charismatic Chris Hemsworth and a talented supporting cast, it ultimately feels like a stylish but somewhat hollow exercise. The film, adapted from Don Winslow’s novella, leans heavily into genre tropes, offering a solid, if not groundbreaking, cinematic experience.

Hemsworth as the Smooth Operator

Chris Hemsworth shines as Mike Davis, a meticulous thief operating along the 101 freeway in Los Angeles. He targets high-value locations with insider information, executing his heists with stealth and precision. Hemsworth embodies the cool confidence expected of a seasoned criminal, and his presence is undoubtedly a draw. However, the character itself feels surprisingly underdeveloped, a smooth surface with little depth beneath. Like Robert De Niro’s Neil McCauley in “Heat,” Davis operates with a calculated detachment, but lacks the same compelling backstory.

A Familiar Formula

The plot echoes the structure of “Heat,” with Detective Lou Lubesnick (Mark Ruffalo) relentlessly pursuing Davis, despite skepticism from his superiors. Ruffalo delivers a predictably strong performance as the troubled detective, adding a layer of complexity to a familiar archetype. The film also features a budding romance for Davis with a woman unaware of his profession, and the introduction of a reckless, less refined thief (Barry Keoghan) adding another layer to the narrative. These elements, while competently executed, contribute to a sense of déjà vu.

Supporting Cast Steals the Show

While Hemsworth anchors the film, some of the supporting performances truly stand out. Halle Berry as Sharon, an insurance broker navigating a chauvinistic corporate landscape, injects energy and personality into her scenes. Her character feels more fully realized than Davis, leaving viewers wondering what a film centered around her could have been. Nick Nolte also makes a memorable appearance as Davis’s sole contact, adding a touch of grizzled wisdom to the proceedings.

Style Over Substance?

Director Bart Layton demonstrates a keen eye for visual style, aided by cinematographer Erik Wilson. The film’s opening sequence, with Davis meticulously preparing for a heist, is particularly striking. However, the film’s emphasis on aesthetics sometimes comes at the expense of deeper character development and thrilling set pieces. “Crime 101” feels more like a loving homage to the heist genre than a truly innovative addition to it.

The Verdict

“Crime 101” is a watchable, if ultimately unremarkable, heist thriller. Chris Hemsworth’s performance is engaging, and the supporting cast delivers solid work. However, the film’s reliance on familiar tropes and its lack of substantial depth prevent it from reaching the heights of its inspirations. If you’re a fan of the genre, it’s worth a look, but don’t expect a revolutionary experience. It’s a solid, if trope-heavy throwback that leans into genre clichés with an expansive, character-first approach.

“Crime 101,” an Amazon MGM release is rated R by the Motion Picture Association for language throughout, some violence and sexual material/nudity. Running time: 140 minutes. Two stars out of four.