
Jake Shane and the Hilariously Unconventional ‘All Out’ on Broadway
Broadway has a new, decidedly different show in town: “All Out: Comedy About Ambition.” Created by the brilliantly quirky Simon Rich and directed by Alex Timbers, “All Out” isn’t your typical Broadway spectacle. It’s a refreshing departure, a comedic exploration of ego, envy, and the wonderfully eccentric world of New Yorkers. The show’s unique structure revolves around a rotating cast of comedians performing stories penned by Rich, and the recent opening night performance featuring Jake Shane, Ray Romano, Nicholas Braun, and Jenny Slate was a testament to its innovative spirit.
A Unique Blend of Comedy and Music
What sets “All Out” apart is its unconventional format. Instead of a traditional narrative, the show presents a series of short, often absurd, stories accompanied by dynamic graphics displayed on a screen behind the performers. The comedians each take center stage, weaving tales of astronauts, mischievous monsters, lazy foxes, and the everyday absurdities of life in New York City. Adding another layer of brilliance, the band Lawrence provides original music throughout the performance, creating a concert-like atmosphere that complements the comedic storytelling.
Lawrence’s stage presence was truly captivating. They filled the space with energy, moving around the set, singing, and playing their instruments, effectively replacing the elaborate dance numbers often seen in Broadway productions. The comedians themselves, including Jake Shane, brought their A-game, delivering punchlines with impeccable timing and confidence.
Jenny Slate Steals the Show (and Oatsy the Horse!)
While the entire cast shone, Jenny Slate’s monologue was a particular highlight. Her extended narration as Paul Revere’s horse, Oatsy, was a masterclass in comedic timing and character work, eliciting uproarious laughter from the audience. It was a truly captivating moment that showcased the show’s potential for brilliance.
Where ‘All Out’ Deviates from Broadway Norms
Despite its strengths, “All Out” doesn’t quite fit neatly into the traditional Broadway mold. The lack of a cohesive narrative thread connecting the individual stories can feel disjointed at times. The stories themselves vary significantly in tone and subject matter, leading to pacing issues – some feel rushed, while others drag. Furthermore, the fact that the actors were reading from scripts occasionally pulled the audience out of the immersive experience.
A consistent cast, rather than a rotating one, might allow for a deeper connection between the performers and the material. More physical comedy, props, or choreography could also enhance the engagement and prevent some stories from feeling stagnant. Developing the ideas further and consciously striving for greater stage presence would undoubtedly amplify the show’s unique appeal.
Final Thoughts: A Fun, Fresh, and Different Broadway Experience
“All Out” is a one-of-a-kind show that successfully blends elegant comedy with a vibrant concert-like performance. It’s an ideal choice for audiences seeking a sophisticated yet lighthearted night out, and a welcome alternative to traditional showtunes. While it may not possess the same captivating energy as some of Broadway’s more established productions, it offers a refreshing and undeniably funny experience. If you’re looking for something different, and a chance to see talents like Jake Shane shine, “All Out” is definitely worth checking out.
You can find more information about Broadway shows and reviews at Broadway.com.




